PRESS

TO ALL THE BOYS I’VE LOVED BEFORE

“The best teen romance of the decade.”
Vox, 5/3/2018

“Rekindled my love of Korean Food”
Washington Post, 9/14/2018

“When you see someone who looks like you, it reveals what is possible.”
New York Times, 8/17/2018

MASTER OF NONE

“A bittersweet valentine, a timely fable about cultural character, Master of None is rich entertainment powered by Ansari’s increasing mastery of his art, his artistic hunger, and the wisdom and skill of his collaborators”
Entertainment Weekly, 8/24/2018

“The new batch of Master of None episodes is on my short list for scripted show of the year. … Season two is even better than season one.”
New York Magazine, 5/10/2017

“The year’s best comedy straight out of the gate”
New York Times, 11/2/2015

“Master of None sets exceptionally ambitious goals for itself–and for the most part, it nails them.”
Variety, 11/2/2015

ALL THIS PANIC

“All This Panic is a deeply felt tribute to youth but also to growing up; it’s a time capsule of a fleeting, fragile moment when angst is mixed with beauty and everything seems ripe with potential.”
LA Times, 4/17/2017

“All This Panic opts for messy honesty — and, in the process, finds hope for all of its subjects, in ways both big and small..”
Village Voice, 3/29/2017

THE YES MEN ARE REVOLTING

“A delectable moment of pure farce.”
New York Times, Critics’ Pick, 6/11/2015

“Another entertaining mix of agitpop, pranksterism and autobiography that should expand on the prior success.”
Variety, 9/11/2014

THE POOL

“The lilting soundtrack by Didier Leplae and Joe Wong conjures the city’s past as a Portuguese outpost.”
New York Times, Critics’ Pick, 9/2/2008

“Authentically specific and Profoundly Global.”
Entertainment Weekly, A- Rating, 9/10/2008

“Natural and unforced, with a winning fluency and calm observational style.”
The Guardian (UK), FOUR STARS, 11/15/2012

SUPERJAIL!

“Surreal and Violent!.”
Buzzfeed, 10/01/2013

INDEPENDENT LENS; THE POWERBROKER

“An especially thought-provoking portrait of Young’s life in a modern context.”
San Francisco Chronicle, 2/14/2013

“Searching for Bootstraps for Pulling Up.”
New York Times, 2/17/2013

SIX DAYS TO AIR: THE MAKING OF SOUTHPARK

“There are almost as many laughs in 6 Days to Air: The Making of South Park as there are in an actual episode of South Park.”
New York Times, 10/9/2011

“As they stress out and cocoon in their offices and forget what combs are for, you realize how much they must love what they’re doing, because nobody would do this just for the money.”
AV Club, 10/10/2011

COLLAPSE

“I don’t know when I’ve seen a thriller more frightening. I couldn’t tear my eyes from the screen. Collapse is even entertaining, in a macabre sense. I think you owe it to yourself to see it.”
Roger Ebert, Chicago Sun-Times, FOUR STARS, 12/9/2009

“Hypnotic and Haunting. Add this film on your shortlist of things to do.”
Time Magazine, Shortlist of Things to Do, 1/15/2010

“Even in a season of apocalyptic films, these facts are really, really scary.”
Toronto Globe and Mail, FOUR STARS, 11/20/2009

MODUS OPERANDI

“It’s not enough to like such films because they’re “so bad they’re good.” You need to specialize, and like the films because they’re so good about being so bad they’re good..”
Roger Ebert, Chicago Sun-Times, 10/4/2010